Rose Cecil O’Neill (June 25, 1874 – April 6, 1944) was an illustrator
who created a popular period comic called Kewpie. She was born in
Wilkes-Barre, Pennsylvania as the second of seven children to William
Patrick and Alice Asenath “Meemie” Smith O’Neill. As a child Rose loved
to draw, and her father would leave specially sharpened pencils and
blank paper around the house for her. At the age of 13 Rose entered a
children’s drawing competition sponsored by the Omaha Herald
and won first prize. Within two years she was doing illustrations for
the Excelsior and The Great Divide and other periodicals with help from
the editor at the Omaha World-Herald and the Art Director from Everybody
Magazine that had judged the competition. The income helped support her
family which her father had not been able to do as a bookseller. Later
O’Neill’s father decided she would do even better if she went to New
York City. William Patrick O’Neill took his daughter in 1893 to NYC
stopping in Chicago to see the World Columbian Exposition where she saw
large paintings and sculptures for the first time that she had only seen
in her fathers books. Once in New York Rose was left on her own to live
with the Sisters of St. Regis. The nuns accompanied her to various
publishers to sell from her portfolio of 60 drawings. Rose sold all her
work and took orders for more. Soon she was an extremely popular
illustrator and was being paid top dollar for her work. In the September
19, 1896 issue of True Magazine O’Neill became the first
American women cartoonist with “The Old Subscriber” cartoon strip. While
O’Neill was in New York her father made a homestead claimed on a small
tract of land in the Ozarks wilderness of southern Missouri. The tract
had a ‘dog-trot’ cabin with two log cabins and a breezeway between, with
one cabin used for eating and living and the other for sleeping. A year
later Rose visited the land, which became known as Bonniebrook”. During
this time O’Neill joined the staff of Puck magazine.
A few years later, while in Omaha, Nebraska, Rose met a young
Virginian named Gray Latham. Visiting O’Neill in New York City, Latham
continued writing to her when she went to Missouri to see her family.
After Latham’s father went to Mexico to make films, he went to
Bonniebrook in 1896. Concerned with the welfare of her family, O’Neill
sent much of her paycheck home to her family. With it her family built a
14-room mansion.
In the following years O’Neill became unhappy with Latham, as he
liked “living large”, including gambling, and was known as a playboy.
With very expensive tastes, O’Neill found that Latham had taken her
paychecks and spent them on himself. After having her money stolen by
Latham, O’Neill moved to Taney County, Missouri where she filed for
divorce in 1901, moving to Bonniebrook permanently.
After a short period of time O’Neill began receiving anonymous
letters and gifts in the mail, eventually learning they were coming from
an assistant editor at Puck. She married Harry Leon Wilson in
1902. After a honeymoon in Colorado they moved to Bonniebrook where they
lived for the next several winters. During the first three years Harry
wrote a novel, for which Rose drew illustrations. One of Harry’s later
novels, Ruggles of Red Gap, became popular and was made into
several motion pictures, including a silent movie, a “talkie” starring
Charles Laughton, and then a remake called Fancy Pants starring Lucille Ball and Bob Hope. Harry and Rose divorced in 1907.
After returning to Bonniebrook, Rose concentrated on her artwork.
During that period, O’Neill created the Kewpie characters she became
popular for. The cartoon was instantly famous. In 1912 a German
porcelain manufacturer started making Kewpie dolls, and that year she
and her sister went to Germany to show the porcelain artists how to make
the dolls the way she wanted them.
Becoming known as the “Queen of Bohemian Society” O’Neill became a
women’s rights advocate. Her properties included Bonniebrook; an
apartment in Washington Square in Greenwich Village that inspired the
song Rose of Washington Square; Castle Carabas in Connecticut;
and Villa Narcissus on the Isle of Capri, Italy. Considered one of the
world’s five most beautiful women, O’Neill made a fortune of $1.4
million, (approximately $15 million).
O’Neill continued working, even at her wealthiest. Perhaps driven by
the unfortunate circumstances in her life to express herself, along with
the needs of her family, she delved into different types of art. She
learned sculpture at the hand of Auguste Rodin (The Thinker), and had
several exhibitions of her “Sweet Monsters” in Paris and the United
States. She held open salons in her Washington Square apartment where
poets, actors, dancers and the ‘great thinkers’ of her day would gather.
O’Neill often continued her drawing until early morning.
In 1937 O’Neill returned to Bonniebrook permanently. By the 1940s she
lost most of her money and her beautiful homes because of her
extravagant nature, and after fully supporting her family, her entourage
of “artistic” hangers-on and her first husband. The Great Depression
hurt O’Neill’s fortune. During that period O’Neill was dismayed to find
that her work was no longer in demand. The Kewpie character phenomena,
after 30 years of popularity, faded, and photography was replacing
illustrating as a commercial vehicle. O’Neill decided to make another
doll, eventually creating Little Ho Ho, which was a laughing baby
Buddha. However, before plans could be finalized for production of the
new little figure, the factory burnt to the ground.
O’Neill became a prominent personality in the Branson, Missouri
community, donating her time and pieces of artwork to the School of the
Ozarks at Point Lookout, Missouri. She lectured at artist’s workshops
and continued to address women’s groups.
In April 1944, O’Neill died at the home of her nephew in Springfield,
Missouri. She is interred in the family cemetery at Bonniebrook next to
her mother and several family members.
Books and Short Stories About The Kewpies:
- The Loves of Edwy. Boston: Lothrop, 1904
- The Kewpies and Dottie Darling. New York: George Doran, Co., 1910
- The First of the Kewpie Kutouts. New York: F.A. Stokes, 1912
- The Kewpies. Their Book. New York: F.A. Stokes, 1912
- Scootles in Kewpieville. New York: Saalfield, 1936
- “The Kewpies’ Christmas Frolic.” Ladies Home Journal Dec. 1909
- “The Kewpies and the Aeroplane.” Ladies Home Journal Jan. 1910
- “The Kewpies’ Christmas Party.” Woman’s Home Companion Dec. 1911
- “The Kewpies and Their School of Jollity.” Good Housekeeping Mar. 1918
- “The Kewpie That Wanted to Be a Real Baby.” Good Housekeeping Apr. 1919
- “The Kewpies and the Proud Children.” Good Housekeeping Feb. 1919
- “Kewpieville.” Ladies Home Journal Mar. 1927
- The Kewpie Primer
- Rose O’Neill and Bonniebrook Museum
- American Art Archives – Rose O’Neill (1875 – 1944)
- Rose O’Neill and the Kewpies
- Historic Missourians
- Postcard Illustrations by Rose O’Neill
- Women’s History Month – Rose O’Neill
- Rose O’Neill’s Winsome Kewpies
- Comic Art Collection for Rose O’Neill
- International Rose O’Neill Club Foundation
- A Rose Amidst Thorns
- Kewpishly Yours Rose O’Neill
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