Tuesday, March 18, 2014

the art of paper cutting

The Art of Paper Cutting
An Accomplishment of the Last Century Revived
      The quaint old accomplishment of paper cutting has become almost a lost art, except where it is still remembered by a few old ladies as having been fashionable when they were young. Perhaps some of them can still take a piece of paper and a pair of scissors and cut out designs, but their hands are too old and tremulous to execute as delicate and complex patterns as they used to make.
cut watch papers by Miss Hunnywell
      The designs for these cut papers were never drawn, but the paper was generally doubled so that the pattern when unfolded, was duplex, giving a certain regularity.
      The girls of 50 years ago became very skillful at this work, and one lady tells of often seeing her old mother, as the family sat talking after dinner, draw out a pair of small scissors, pick any envelope or bit of paper, and seemingly without any thought or trouble, cut out the most exquisite flowers and arabesques.
      Cut papers were used for many purposes of decoration. Sometimes they were cut with a ring at one end that slipped over a candle, the leaf of delicate paper lace hanging down in front of the candlestick like an apron. These “candle papers,” when dipped in melted wax and then allowed to harden, had almost the look of exquisitely carved ivory.
      Sometimes the papers were cut in rounds to fit into the lids of watches, and were presented by young ladies to the gentlemen of their acquaintance and the young men of that day counted their popularity by the number of watch papers that they had received.
      Young ladies exchanged cut papers with each other as tokens of friendship and these shaped like hearts, ovals or envelopes, were often further embellished by delicately painted wreaths and flowers, and by the sentimental verses of the day, written upon a space left for them.
      Sometimes the cut papers were merely considered as works of art, and as such were mounted on black haircloth and framed. No paste was used in the mounting, as the papers were too delicate, and besides it would have yellowed them. The edges were simply smoothed out with a soft brush, and the glass put over them to hold them in place.
      These large cut papers were often done in memory of some one loved and lost, and the center would be cut in the shape of a funeral urn and tablet. Upon this tablet might appear some verse, the letters cut out with a sharp penknife after the rest was finished. A favorite one was:
“Now to the winds let all my sighs be
given,
And reach—tho’ lost on earth—the ear of
Heav’n.”
      Then would follow the date and perhaps the words, “Beloved the’ Lost.”
a candle paper cut
      The only branch of this art that still seems to be well known is that of silhouettes, but this requires much more talent than the others, for the power of catching a likeness is comparatively rare.
      The most elaborate silhouettes had the eyes and hair afterwards touched in with white or gold paint. The silhouettes themselves were generally black. But there are some examples left where the profile was cut out in white and laid on black.
      About 50 years ago a young lady of extremely small stature called Miss Hunnywell, made herself quite famous as a professional paper cutter, and it was considered  “the thing” among the young gentlemen of that day to have a watch a paper cut by Miss Hunnywell.
      The manner of her cutting was very ingenious, for she had neither hands nor feet. On her right shoulder was something like a thumb, on her left side something that might pass for a hand with two fingers, and with these and her mouth she managed to cut out the most exquisite designs and lace with marvelous rapidity.
      Her work was so much in demand, not only for its beauty, but because of its being somewhat of a curiosity, that she, traveling from place to place, and exhibiting her work, earned quite a little fortune. It was enough to make her mark for a rogue, who married her, and then ran away with her money, leaving her penniless.
      It is said that after he deserted her the lady would never cut papers again, and died in an absolute state of penury.
      There was a certain Mistress Dolly Nichols of Petersburg, who was quite wonderful at this art of paper cutting, and her drawing room was decorated with a whole series of pictures from Mazeppa, wild horses and all, which she cut out without the aid of pencil or any guide but her own fancy.
      But this art goes further back than the time of Miss Hunnywell or Mistress Nicholas. It is some time early in 1700 that Mrs. Delaney, in her “Autobiography and Correspondence,” writes of her closet at the farm as “decorated with little drawings and cut papers of my own doing.”
      Later on, when speaking of a young Mr. Twyford, who was deeply in love with her, she says:
      “His mother’s cruel treatment of him, and absolute refusal of her consent for his marrying me, affected him so deeply as to throw him into the palsy. He lived in this wretched state about a year after my marriage. After he was dead they found under his pillow a cut paper that he had stolen out of my closet at the Farm.”
      When Mrs. Delaney was over 70 years old, she made her first attempt at copying flowers in cut paper.
     Her manner of doing it was thus described: “Having a piece of Chinese paper on the table of a bright scarlet, a geranium caught her eye of a similar color, and taking her scissors, she amused herself in cutting out each flower by her eye in the paper. She laid the paper petals on a black backgrond, and was so pleased with the effect that she proceeded to cut out the calyx, stalks and leaves in shades of green, and pasted them down, and after she completed a sprig of geranium in this way the Duchess of Portland came in and exclaimed, “What are you doing with that geranium?” having taken the paper imitation for the real flower.”
      This was the beginning of the collection of cut-paper flowers, which before her death numbered 380 sheets, each one different.
      That wonderful collection has disappeared now, as has Mistress Nicholas’ wonderful Mazeppa series.  Only here and there do we come upon a cut-paper laid away in some old portfolio or writing desk, or see it hanging, framed, on the wall of some old-fashioned room, and the young ladies of today find it more convenient to send a booklet or a printed card to their friends, instead of the more personal tokens that used to be exchanged in the old days of cut papers. –Katherine Pyle, Salt Lake Herald, 1897

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