Illustrator Arthur Rackham. |
In 1892, he left his job and started working for the Westminster Budget as a reporter and illustrator. His first book illustrations were published in 1893 in To the Other Side by Thomas Rhodes, but his first serious commission was in 1894 for The Dolly Dialogues, the collected sketches of Anthony Hope, who later went on to write The Prisoner of Zenda. Book illustrating then became Rackham's career for the rest of his life.
By the turn of the century Rackham had developed a reputation for pen
and ink fantasy illustration with richly illustrated gift books such as
The Ingoldsby Legends (1898), Gulliver's Travels and Fairy Tales of the Brothers Grimm (both 1900). This was developed further through the austere years of the Boer War with regular contributions to children's periodicals such as Little Folks and Cassell's Magazine. In 1901 he moved to Wychcombe Studios near Haverstock Hill, and in 1903 married his neighbour Edyth Starkie.
Edith suffered a miscarriage in 1904, but the couple had one daughter,
Barbara, in 1908. Although acknowledged as an accomplished
black-and-white book illustrator for some years, it was the publication
of his full colour plates to Washington Irving's Rip Van Winkle by Heinemann
in 1905 that particularly brought him into public attention, his
reputation being confirmed the following year with J.M.Barrie's Peter Pan in Kensington Gardens, published by Hodder & Stoughton. Income from the books was greatly augmented by annual exhibitions of the artwork at the Leicester Galleries. Rackham won a gold medal at the Milan International Exhibition in 1906 and another one at the Barcelona International Exposition in 1912. His works were included in numerous exhibitions, including one at the Louvre in Paris in 1914.
From 1906 the family lived in Chalcot Gardens, near Haverstock Hill, until moving from London to Houghton, West Sussex in 1920. In 1929 the family settled into a newly built property in Limpsfield, Surrey. Arthur Rackham died in 1939 of cancer at his home. Read more . . .
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