Edmund Dulac (born Edmond Dulac; October 22, 1882 – May
25, 1953) was a French-born, British naturalized magazine illustrator,
book illustrator and stamp designer. Born in Toulouse he studied law but
later turned to the study of art the École des Beaux-Arts. He moved to London early in the 20th century and in 1905 received his first commission to illustrate the novels of the Brontë Sisters. During World War I,
Dulac produced relief books and when after the war the deluxe
children's book market shrank he turned to magazine illustrations among
other ventures. He designed banknotes during World War II and postage stamps, most notably those that heralded the beginning of Queen Elizabeth II's reign.
Born in Toulouse, France,
he began his career by studying law at the University of Toulouse. He
also studied art, switching to it full-time after he became bored with
law, and having won prizes at the Ecole des Beaux Arts. He spent a very brief period at the Académie Julian in Paris in 1904 before moving to London.
"The Chestnut Horse" painting by Dulac. |
During World War I he contributed to relief books, including King Albert's Book (1914), Princess Mary's Gift Book, and, unusually, his own Edmund Dulac's Picture-Book for the French Red Cross (1915) including 20 color images. Hodder and Stoughton also published The Dreamer of Dreams (1915) including 6 color images - a work composed by the then Queen of Romania.
Dulac's wife was Helen Beauclerk, author of The Green Lacqueur Pavilion, 1926, and The Love of the Foolish Angel, 1929, both of which books have his illustrations.
After the war, the deluxe edition illustrated book became a rarity
and Dulac's career in this field was over. His last such books were Edmund Dulac's Fairy Book (1916), the Tanglewood Tales (1918) (including 14 color images) and the The Kingdom of the Pearl (1920). His career continued in other areas however, including newspaper caricatures (especially at The Outlook), portraiture, theater costume and set design, bookplates, chocolate boxes, medals, and various graphics (especially for The Mercury Theater, Notting Hill Gate).
He also produced illustrations for The American Weekly, a Sunday supplement belonging to the Hearst newspaper chain in America and Britain's Country Life. Country Life Limited (London) published Gods and Mortals in Love (1935) (including 9 color images) based on a number of the contributions made by Dulac to Country Life previously. The Daughter of the Stars
(1939) was a further publication to benefit from Dulac's artwork - due
to constraints related to the outbreak of World War II, that title
included just 2 color images. He continued to produce books for the
rest of his life, more so than any of his contemporaries, although these
were less frequent and less lavish than during the Golden Age.
Dulac designed 1953 coronation stamp denominated 1/3 |
Halfway through his final book commission (Milton's Comus), Dulac died of a heart attack on 25 May 1953 in London.
He designed postage stamps for Great Britain, including the postage stamp issued to commemorate the Coronation of King George VI
that was issued on 13 May 1937. The head of the King used on all the
stamps of that reign was his design and he also designed the 2s 6d and
5s values for the 'arms series' high value difinitives and contributed designs for the sets of stamps issued to commemorate the 1948 Summer Olympics and the Festival of Britain.
Dulac was one of the designers of the Wilding series stamps, which were the first definitive stamps of the reign of Queen Elizabeth II.
He was responsible for the frame around the image of the Queen on the
1s, 1s 3d and 1s 6d values although his image of the Queen was rejected
in favor of a photographic portrait by Dorothy Wilding to which he carried out some modifications by hand. He also designed the 1s 3d value stamp of the set issued to commemorate the Coronation of Queen Elizabeth II but he died just before it was issued.
Dulac designed stamps (Marianne de Londres series) and banknotes for Free France during World War II.
In the early 1940s Edmund Dulac also prepared a project for a Polish
20-zlotych note for the Bank of Poland (Bank Polski). This banknote
(printed in England in 1942 but dated 1939) was ordered by the Polish
Government in Exile and was never issued.
Some restored samples of Dulac's work:
Ariel from Shakespeare by Dulac. |
"Cinderella" by Dulac. |
"Moonlight and Sea Fairies" by Edmund Dulac. |
A painting from "Arabian Nights" by Dulac. |
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